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December 31, 1997
SPECIALS
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Rajeev Srinivasan
The Buddhist Connection: Sabarimala and the Tibetans
The appeal of Sabarimala, a remote and tiny temple in a valley in the Western Ghats of Kerala, has increased phenomenally in the last couple of decades; it is now believed to be the world's second largest annual pilgrimage in terms of the number of devotees, second only to the Haj in Mecca. It is a most unusual pilgrimage to a most unusual deity; for Sri Ayyappan is Hariharaputra, the Son of Lord Vishnu and Lord Siva -- and this is the only ancient temple to Him. It is likely that the unusual myth of the Son of Vishnu and Siva is due to another historical event: a reconciliation between Saivite and Vaishnavite Hindus. Unlike other parts of the South, where the two were often in conflict, Kerala has typically seen harmony between them.
And it is a very democratic pilgrimage: all the devotees address each other merely as 'Ayyappan'; class or caste or even religion is not at issue. Interestingly, the pilgrims pay obeisance at the shrine of the Muslim Vavar, apparently a friend of the historical Prince of Pandalam (a small kingdom) who has become identified with the deity in another legend. However, there is some controversy: women in their child-bearing years are not allowed to go on the pilgrimage. Personally, I find myself ambivalent on whether this restriction should be lifted: on any given day, I can argue either way. There is considerable evidence that Lord Ayyappan was once a Buddhist deity, and that Sabarimala was once a Buddhist temple complex. However, it appears that prior to its Buddhist incarnation, the temple was an early Dravidian Saivite centre; therefore it has been a sacred spot of singular merit of at least three or four millennia. Its famed Makara Jyotis (Divine Light) which appears mysteriously in the forest on Makara Sankranti day gave it the name Potalaka.
I am indebted to my cerebral friend Devakumar Sreevijayan (formerly of Austin, Texas and currently of New York City) for almost all of this fascinating research. It is in three texts: the Avatamsaka Sutra, the Hymn to the Thousand-Armed Avalokitesvara, and the writings of the intrepid Chinese traveller Hsiuen Tsang (Zuen Xang?), that we find the detailed references. Dev found a good deal of information in the book, The Thousand-Armed Avalokitesvara by Lokesh Chandra. But there is ample circumstantial evidence for Kerala's Buddhist/Jain past. Unlike Nagarjunakonda in Andhra Pradesh and Sravanabelagola in Karnataka, they have left no large monuments in Kerala, but it is known that Kodungallur, for example, was a Buddhist centre. Kodungallur, at the time known as Muziris, was a major port; a Buddhist nunnery there became a great Devi temple later, associated with Kannagi, the heroine of the Tamil epic Silappathikaram (The Jewelled Anklet) written by the Chera Prince Ilango Adigal, who lived in what is now Kerala. The revered Patriarch Bodhidharma (Daruma in Japanese) from Kodungallur was the originator of the Zen sect (dhyana in Sanskrit, Ch'an in Chinese) -- he went to the Shao-Lin monastery in China (420-479 CE), and he took the martial art of kalari payat there for the protection of the unarmed monks, whence the various martial arts of East Asia. According to Chinese legend, Bodhidharma also created the tea plant, by tearing off his eyelids and planting them in the ground: presumably this means he also took the tea plant with him.
At Prambanan in Java (the Hindu counterpart to the great Buddhist complex at Borobudur) and at Angkor Wat in Cambodia, the images of Siva/Eswara and of the Buddha are sometimes intermixed; apparently there was no great animosity between the worshippers of both. Similarly, one might hope, the transitions from Siva to the Buddha to Ayyappan were relatively peaceful. The circumstantial evidence for the Buddhist nature of Lord Ayyappan is compelling. For one, the devotees chant: "Swamiye saranam Ayyappa," so close to the Buddhist mantra: "Buddham saranam gacchami, Sangham saranam gacchami, Dhammam saranam gacchami." Furthermore, the very sitting posture of the Ayyappan deity is suggestive: almost every Buddhist image anywhere, including those sometimes unearthed in the fields of Travancore by farmers, is in sitting position. Whereas practically no other deity in Kerala is in that posture. Says Lokesh Chandra: 'The Avatamsaka Sutra describes the earthly paradise of Avalokitesvara: ''Potalaka is on the sea-side in the south, it has woods, it has streams, and tanks''...Buddhabhadra's (AD 420) rendering of Potala (or Potalaka) is ''Brilliance." It refers to its etymology: Tamil pottu (potti-) ''to light (as a fire)''...brilliance refers to the makara-jyoti of Sabarimala.'
All of this is still true; Hsuen Tsang's description could easily be of contemporary Sabarimala. The only difference perhaps is that the forests are no longer so dense. Pilgrims believe that those who ignore the strict penances -- abstinence from alcohol, smoking, meat-eating and sex -- are in danger of being attacked by wild animals while on their trek. However, there are not too many large animals in these forests any more, as a result of human encroachment. Lokesh Chandra continues: 'Hsuen Tsang clearly says that Avalokitesvara at Potala sometimes takes the form of Isvara (Siva) and sometimes that of a Pasupata yogin. In fact, it was Siva who was metamorphosed into Avalokitesvara...The image at Potalaka which was originally Siva, was deemed to be Avalokitesvara when Buddhism became dominant... The Potalaka Lokesvara and the Thousand-armed Avalokitesvara have echoes of Siva and Vishnu, of Hari and Hara.'
Thus, the history of Sabarimala is to some extent a microcosm of the religious history of India. It is interesting that there are connections between Kerala, in the deep South, and Ladakh/Zanskar in the far North, where the last of the Tibetan Buddhists practise their religion unmolested. Those devout Ayyappan pilgrims in their dark clothes symbolising the abandonment of their egos, who flock to the hill temple in the cool winter months, are thus, in a way, celebrating two of the great religious streams of Mother India: both the Hindu present and the Buddhist past. |
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